On her 72nd birthday on September 18, Sukanya Verma gives three cheers to the legend and lists 20 of her stellar performances.
The Orwellian surveillance State is here. And here to stay, asserts Virendra Kapoor.
What should be a cautionary tale on choosing your one-night stands with care becomes another lousy attempt to rehash the Dilwale Dulhania Le Jayenge formula by cooking up one implausible scenario after another, notes Sukanya Verma.
Chain Kuli Ki Main Kuli Ki, Fugly, Shamitabh, Jajantaram Mamantaram, Ki and Ka the list goes on...
Since 2014, India has left its moorings as a pluralist, modern, secular State because that is how the BJP wants it to be, notes Aakar Patel.
The failure of Decoupled is that, as it deals almost solely in 'snapshots of insight', it fails to showcase how life flows, how the world goes round, how things unfold, feels Rohit Sathish Nair.
The royal couple chose a modern touch to their marriage ceremony.
'This is a film that speaks to the spirit of women who have been cast into the bottom of India's social hierarchy, and how they have navigated their way to redefine the meaning of power.'
'On the face of it, it is a WYSIWYG -- What You See Is What You Get -- reality series, but actually it is a show that perpetuates societal biases, stokes typecasts and stays sadly superficial,' notes ad guru Sandeep Goyal.
Simran Dhir talks about Delhi, Indian parents and the inspiration behind her debut novel Best Intentions.
"What is the sanctity of marriage?"
Aseem Chhabra glances at the week gone by in New York
The Ayodhya judgment of November 9 draws on both the polytheism of Hinduism and the modern rule of law, says Deepak Lal.
'Why should she involve Islam in it?' 'We are living in a secular democracy and she has the right to do what she wants. but why bring Islam into it?'
Prime Minister Narendra Modi delivered the customary Independence Day address to the nation after unfurling the Tricolour at the Red Fort. India is marking its 74th Independence Day under the shadow of the Covid-19 pandemic.
Marketers are required to be more Sisyphus than The Vitruvian Man, says Bharat Bambawale.
The film is engagingly narrated in flashbacks that move seamlessly from one character to another, says S Saraswathi.
Here's the full text of President's Ram Nath Kovind's address to the joint sitting of both houses of Parliament on the first of Budget Session 2022.
We decode the Duchess of Sussex's second royal outing look.
From cradle snatching to teenage sex, this new generation of Indians doesn't mind letting the girl be in charge.
It was Dev Anand's dream to put Indian cinema on the world map and he thought Guide was the perfect film for it.
'I consider myself to be a 50 year old with a 16-year-young mind, ready to conquer more continents,' Dr Shuvendu Sen tells Payal Singh Mohanka.
Where does one find a man who shows no bitterness or animosity towards Hindus, even after a frenzied Hindu mob burnt his house down?, Jyoti Punwani asks in this tribute to a truly extraordinary Indian.
Of the nearly 4.6 crore people living as slaves globally, two-thirds, or 3.04 crore, are in the Asia-Pacific region, with the highest number in India.
Savarkar believed Swarajya is more than the mere geographical independence of a stretch of earth called India. There was no point in fighting and sacrificing one's life for a Swarajya (mere territorial independence) at the cost of our Svatva (self-existence) or Hindutva itself! A revealing excerpt from Uday Mahurkar and Chirayu Pandit's Veer Savarkar: The Man Who Could Have Prevented Partition.
Today, the two countries, ruthlessly divided by the Radcliffe line that pierced their very heart, grapple with the political challenges of the present. Yet, when friendships develop there are no borders, observes Payal Singh Mohanka.
At the end of the six short stories, Feels Like Ishq is uneven yet watchable, feels Sukanya Verma.
Dibakar Banerjee delivers his finest work to date, and Sreehari Nair makes sure to applaud him.
Single political leaders, Narendra Modi boasted recently at an election rally, can end corruption. He claimed that only those free of filial ties could end decades of corrupt rule, says Rahul Bedi.
At a time when the Kashmir valley has been shut down, it is perhaps appropriate that we remember Lal Ded, Kashmir's best known spiritual and literary figure, someone remembered with divine adoration both by Hindus and Muslims in Kashmir. A fascinating excerpt from Sandhya Mulchandani's For The Love Of God: Women Poet Saints Of The Bhakti Movement.
Anamika directed by K P Venu and Abraham Lincoln, and starring Arun and Samvrutha would have a noble cause of abortion and female foeticide at heart. But, the execution leaves lot to be desired.
The nature of modern celebrity is particularly explosive when Bollywood romances cricket.
Prachi Desai talks about her new film, Life Partner, and much more.
Mentalhood is far from an ideal comeback but it's nice to be reminded of Karisma Kapoor's radiant and lively screen presence again, says Sukanya Verma.
Section 497 of the Indian Penal Code, which was struck down by the Supreme Court, managed to be anti-women even while it appeared to be throwing a protective arm around them, says Shuma Raha.
Nearly 14.3 million people, including children, are 'trapped' in modern-day slavery in India, which tops a global index of people under bondage across the world with an estimated 35.8 million people enslaved, a new research said on Monday.
Bhagwat presented Sangh's views on a number of contentious issue while answering wide-ranging written questions on the last day of the three-day conclave, including on matters like inter-caste marriages, education policy, crimes against women, cow vigilantism.
'Once Mohanlal's ever-swelling entourage grasped his enormous worth, once it realized that the innate Mohanlal appeal could be profited from, it set about to exploit, to make uproars, to create the Mohanlal brand.' 'And he wasn't meant to be a brand. He was meant to be an artist, a tireless explorer of the unique seas inside him,' asserts Sreehari Nair.
'Everywhere, people would ask me why I had left films. They wanted to see more of me.' 'Their words were music to my ears.'
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